The film’s dripping in irony because Euronymous calls others ‘poser’ for not being “ true Norwegian black metal” like Mayhem, when he’s one of the biggest posers of all. “This is not a joke- you are terror incarnate.” Art can also become a dangerous entity once it bleeds off the canvas into real life. Art loses its efficacy when there’s nothing behind it except marketing smoke and mirrors. commerce – where a musician’s persona ends and reality begins – and how psychologically dangerous it can be when the line between the two blurs. Åkerlund and Magnusson’s screenplay explores themes of art v.
What the film does best is walk a line between fantasy and reality through the perspective of Euronymous (played fantastically by ever rising star Rory Culkin).
Specifically the focus is on the actions of Øystein ‘Euronymous’ Aarseth, Per ‘Dead’ Ohlin, and Kristian ‘Varg’ Vikernes. Neither does it detract from Åkerlund and co-writer Dennis Magnusson’s focus on how the gruesome history of Mayhem is a hard lesson about authenticity, exploitation, fame, and the often self-fulfilling prophesy of those who step too close to the edges of true darkness. This takes nothing away from its very true to life horror. Lords of Chaos is, at times deeply, darkly funny.
Åkerlund did all this because the story itself is universal- just so happens it’s tangled up in Norway’s fast growing black metal scene during the late 1980s and early 1990s. He likewise chose to not use much black metal on the soundtrack, outside of scenes depicting Mayhem’s live performances and fleeting sonic moments of Burzum. He made the decision to not have the actors use Norwegian accents or speak in Norwegian at all, opting to let stars Rory Culkin, Emory Cohen, and Jack Kilmer, among others, speak in Englsih with their regular accents. Beware.ĭirector Jonas Åkerlund – himself a former drummer of Swedish black metal band Bathory (1983-84) – didn’t make Lords of Chaos solely for metal fans, despite being based on infamous Norwegian black metal group Mayhem. ★★★★1/2 Disclaimer: The following article contains oodles & oodles of spoilers.
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Starring Rory Culkin, Emory Cohen, Jack Kilmer, Sky Ferreira, Valter Skarsgård, Anthony De La Torre, Jonathan Barnwell, Sam Coleman, Lucian Charles Collier, James Edwyn, Andrew Lavelle, & Arion Csihar.Ĥ 1/2 Film / Eleven Arts / Insurgent Media / Scott Free Productions / Twentieth Century Foxīiography / Drama / Horror / Music / Thriller Based on the book by Michael Moynihan & Didrik Søderlind. Screenplay by Åkerlund & Dennis Magnusson. “Character murder is a common weapon used by people who don’t like Europeans.Lords of Chaos. “When you at one point realize that this film is just a lot of made-up crap, I suggest you contemplate around the concept a little bit and understand that I am not the only one in history who has been exposed to their character murder. Or by reading my conviction from 1993, freely available to the public in the Oslo courthouse. “Yes, the facts, that you can verify easily, by talking to the people who were actually there. But if you want to know something about the facts in this context, I suggest you check out my playlists, especially the Burzum one, but the others too, if you have time for it. “As you probably know, the whole film is just a character murder and they completely ignore the facts. Because everything in this film is just plain wrong.” “If they actually did some research into this story and the Black Metal scene, they must have just ignored everything they found and made up a story instead. “And, well, by and large, the whole film is just made up. He did things for reasons that I never had knew people that I, in reality, have never even heard about. “So, the fat Jewish actor said things in that film that I never said in real life received things that I in reality never received. “So, you just watched the ‘Lords of Chaos,’ the film where they have a fat Jewish actor play the role of me. In the film, Varg is portrayed by Emory Cohen.
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Varg Vikernes shared a video to address “Lords of Chaos,” the latest movie about the early days of the Norwegian black metal scene based on the 1998 non-fiction book of the same name.